Kieffer Ceramics

An Advanced Ceramics Studio: Keiffer Ceramics 

Kristen Kieffer is a full-time studio potter and sole-proprietor of Kieffer Ceramics based in Massachusetts. Ms. Kieffer’s primary form is functional pottery with a Victorian modern twist. Kristen Kieffer is influenced by the 18th Century service pieces, Nouveau illustrations, and even contemporary cakes. The Kieffer Ceramics on-line gallery showcase displays the same quality as her Etsy Shop (exhibit 1) and museum pieces (exhibit 2) seen below:

Exhibit One

KiefferGallery 1
Image Provided by Kieffer Ceramics

 

Exhibit Two

KiefferGallyert 2
Image Provided by Kieffer Ceramics

Cross Channel Promotion on Social Media Platforms

Kristen Kieffer is not a typical potter. Most concentrate on only the production side of their profession and not the social side of ceramics. Within the ceramic industry, Ms. Kieffer is known not only for her quality pieces but for the remarkable way she has been able to promote herself as a brand in social media. Ms. Kieffer maintains an extensive website, a monthly blog, an e-newsletter, and postings on social media channels such as Facebook, Twitter, Instagram, and Pinterest. Ms. Kieffer has made it easy for the consumer to connect with her through cross-promotions of these digital platforms which also increases her discoverability. The consumer and fans of Kieffer Ceramics can see that within Facebook and Twitter, Ms. Kieffer is posting the same type of material such as announcements with reciprocal links between both channels. A Kieffer Ceramic’s blog viewer and follower can read within a blog about a ceramic topic, which then links this person to Kristen Kieffer Ceramic Etsy store.

Ceramic Branding

Ms. Kieffer has been able to provide some of the best social media practices such as the expansive social media presence mention above; additional practices which impact her social media efforts include consistent branding, relevant content, and building social relationships through engagement. Whether on her blog, her social media channels, or in her Etsy store, Ms. Kieffer has been able to visually and consistently represent her brand with the same type of photographs emphasizing her style of work and personality as seen above. Her content is relevant to the ceramic industry as well as collectors of the style of pottery she offers. Ms. Kieffer explains ceramic processes she uses, new techniques she brings to the studio, and valuable tips which provides a value added to consumers and fellow potters when visiting her digitally. Ms. Kieffer responds to mentions, questions, and comments encouraging on-going engagement. Her blogs are often of current ceramic topics which demonstrates she is listening to what the social media community is talking about.

Ms. Kieffer presents the same clear headers and backgrounds across the different digital media channels building a consistent brand image. Within the digital platforms, Ms. Kieffer offers relevant ceramic content, which she creates as well as shares from other notable potter or ceramic industry companies. Ms. Kieffer maintains up-to-date conversations with followers and consumers as well as demonstrates listening and observing on the social landscape. Ms. Kieffer has established how maintaining an expansive social media presence through cross-channel promotion has a direct impact on discoverability, engagement, brand awareness, and return on investment. Click here to own on of Ms. Kieffers ceramic pieces.

 

Future Implications

social-media-social-change-wordle

Humans have been creating with clay as early as 24,000 BC and functional pottery such as vessels for storing food and water has been noted as being present since 10,000 BC. This ability to create plates, bowls, and cups to use, trade, and sell makes ceramics one of the most ancient industries. The core of pottery: sculptural forms, decorative pieces, and functional ware have been re-invented time again. Even how potters have promoted their works, through traditional marketing tactics including word of mouth, trade, pictures, books, galleries, museums, have been consistent and one-sided. Today, digital marketing through a potter website, his or her blog, and social media channels such as Pinterest, Instagram, and Facebook, has widened exposure instantaneously and globally as well as a two-way form of communication. With changes in human behavior and technology, the ceramic industry will have move towards future trends such as mobile brand messaging, social media real life integration, and co-creating with brand advocates. These changes will generate financial and physical growth for company brands willing to evolve and participate.

Mobile Brand Messaging

mobilephones

Just as industrial revolution ignited the forward movement for ceramics with the creation of electricity for safer and faster kiln firings increasing production drastically, the growth of smartphones is driving consumers into the hands of brands. Mobile brand messaging will enable personal interactions between brands and consumers. A new study about retail mobile messaging was released by OtherLevels documenting that messaging frequently, especially through a brand mobile application, can provoke the consumer to engage more with the brand. For instance, a potter can send a message announcing a holiday oriented promotion or offer app features such as list generation, product finder, and real time in stock inventory. By 2017, it is projected that over 50 percent of commerce will be conducted on mobile devices. This will result in the more a brand send messages, the more it will sell. As technology changes, options such as mobile wallet will take brand messaging one step further enabling the consumer to instantly by a product from a push message before he or she arrives at the brand store.

Real Life Integration

In the process of eliminating the gap between “technology” and “life”, social media will launch the opportunity to connect the consumer with the brand seamlessly. As advancements in technology rise, QR codes will Qr-2become more visually product enhanced. This means the QR code could launch product information instantly including features like product history, product reviews, social media friends and family members who have used the product, and suggested related products. This feature could boost brand transparency and consumer trust. BUY IT buttons will become more embedded in social media promotional ads on networks like Facebook. This would allow, for instance, a potter to collect revenue from social media channels, blog, e-commerce store, and mobile messaging.

Co-Creating with Brand Advocates

Co-Creating-Tomorrow

In the ceramics industry, niche markets will excel. In a world where there is a plethora of product to choose from, potters, like brands, will need to stand out from each. By evaluating data from social media tools such as Google Analytics, and listening to consumer chatter with a dashboard monitor like Hootsuite, a brand will embrace co-creation. An example of co-creating is a potter makes a bowl. He or she evaluates keywords, search terms, and other data extracted from Google Analytics to design content to be used to promote the bowl on the social media landscape. Since about 25 percent of all branded search results are user-generated content, listening to and engaging with the consumer develops a partnership directly with the potter to co-create. This user generated content can lead the potter to develop product to fit exactly what the consumer needs, happier buyers, brand loyalty, and the potential of financial growth for the potter.

Ancient Concept

Personalization and brand experience are an ancient concept stemming back to the beginning of the ceramic industry. Traditional marketing strategies have reinvented themselves to a newer, more efficient, and engaging level with social media marketing. The change in human behavior to instantly connect with others and brands and the constant evolution of technology to accommodate consumer needs will allow for brands, like potters, to capitalize on trends including mobile brand messaging, social media real life integration, and co-creating with brand advocates. In the future, with a swipe of a finer across a smartphone, a buy-web-buttonconsumer can connect on the social media landscape, search for a bowl, learn about one he or she likes, press the BUY IT button, pay from his or her mobile wallet, and boast about the purchase on a social network in less time than it took for the potter to make, fire, and package the bowl.

Watch Out for the Mud Sharks

SherrillMudShark

One of my favorite tools to recommend at Christmas time or when a newbie potter comes in to the ceramic store is the Mudshark. Michael Sherrill designed as series of tools called MudTools which he created out of necessity to suit his ceramic needs. For non-potters you might not see the brilliance in this tool name and design or understand the versatility of its tail, nose, and mouth. The tail is used when throwing a pot to trim or create a 45 degree footed angle at the bottom. This part can cut away any waste sitting at the bottom of a pot or on the bat which the pot is being thrown on. The needle, or nose, can be used for trimming the top of a pot. It can be used to make designs on a pot or plate and for the artist to sign their name on the bottom of their handmade piece.  The mouth of the tool can be used to make the rim of a pot, bowl or pitcher. When your done using the tool, the needle nose folds inside and can slip into a pocket, clay bag, or into a tool caddy. Another cool feature like many of the other Sherrill Tools is it comes in six different colors.

Mudtools has gone to great lengths to take their brand social. It was going to be hard bait for Sherrill to get into the ceramic tool market swimming upstream against established companies like Kemper, Dolan, and Chinese Clay Art.  They needed social media to snag consumers with videos and pictures of their tools not just typical word of mouth promotion or traditional marketing strategies. The company wanted to turn tool trollers into loyal buyers.

Demanding a strong social media presence, every page on their website lures the consumer to the social media landscape to support their brand image (Agius, 2015) as seen here:

smmudtools

Michael started out his a social media campaign as his bite indicator on Facebook with pictures of his product. Over the years, Facebook has become his honey hole with a strong following and the launching pad to the other social media networks. He incorporated videos on creating with different Mudtools on YouTube channel and crossed over onto Twitter with tweets of pictures of potters using their favorite Mudtools. Google+ is alongshore of Facebook reiterating special promotions, pictures of their product line, their blog, videos and customer’s working with their tools. Their LinkedIn presence is more lie bank-fishing with a specialized traditional slant of Press Releases emphasizing their support to social and global responsibility. Instagram intertwines their professional and personal side giving a human approach to the company image. Although Michael has a Pinterest account, it is not directly related to MudTools. It is a minnow in the social media marketing strategy at this time.

By uniting product pictures, product how-to videos, and advertising promotions on the social media channels, the Mudtool brand identity has defined its value and the company ideals (Botts, 2014). The success of branding can be seen through consumers endorsing the tools and inviting prospective buyers to use them as well. MudTools consistency and frequency on the social media networks allows for credibility, authenticity, and likability. Capitalizing on the mud aspect of ceramics and the quality of the tools became the neutral buoyancy to sustain the brand. Social media branding keeps Mudtools consumers restocked with the necessary clay studio tools as seen below.

google+mudtools

Mudtools has remained in the uprush of growth by concentrating on increasing Facebook followers, optimizing YouTube videos, and maintaining Instagram attention. They assist consumers in navigating to their website, product pages and social media platforms. Michael spends time interacting on Instagram, Twitter and Google+ with their followers (Hemley, 2014). There is no daily limit on how brand social can make a company and its products. Once a consumer gets bitten by a MudTools brand, it’s hard to forget how great the tools are.

yellowmudshark

Resources:

Agius, A. (2015). The 4 Essentials to Building Your Brand on Social Media. Entrepreneur.com. Retrieved from: http://www.entrepreneur.com/article/244677

Botts, S. (2014). Building Identity Loyalty Through Social Media. Thinking With Google. Retrieved from: https://www.thinkwithgoogle.com/articles/building-identity-through-social-media.html

Hemley, D. (2014). 26 Ways Brands Succeed With Social Media Marketing. Social Media Examiner. Retrieved from: http://www.socialmediaexaminer.com/26-ways-brands-succeed-social-media-marketing/

Sherrill MudTools Page (n.d.). SherrillMudTools. Instagram. Retrieved from: https://instagram.com/sherrillmudtools/

Mudshark Product Page, (n.d.). Mudshark. Mudtools. Retrieved from: http://www.mudtools.com/product/mudshark/

MudTools Facebook Page, (n.d.). Mudtools. Facebook. Retrieved from: https://www.facebook.com/Mudtools

MudTools Twitter Account, (2013). Mudtools. Twitter. Retrieved from: https://twitter.com/Mudtools

Sherrill Studios Page, (n.d.). Michael Sherrill. Pinterest. Retrieved from: https://www.pinterest.com/SherrillStudios/

Using Your MudTools, (n.d.). Do All Demonstration from Michael Sherrill and MudTools. YouTube. Retrieved from: https://youtu.be/1GAWTZWY4Z8?list=PLLfY3U1eRSVgNJYEX41VIZNUHgahEu4Lw

White, C. (2011) Branding: How It Works in the Social Media Age [Infographic]. Mashable. Retrieved from: http://mashable.com/2011/12/15/branding-and-social-media/

Soaking Up The Mobile Ceramic Rewards

In 2012, Daily Clay, a mobile off-spring of Ceramics Arts Daily and produced by The American Ceramic Society, hit the iPhone mobile application market. I, like many other potters who use Ceramics Art Daily as a ceramic resource, were hopeful that the app would prove to be beneficial. The extensive website offers books, magazines, videos, educational, blogs and forums. Instead, the mobile app became a daily posting of a handmade piece of ceramic art. Although inspirational, it didn’t serve the same grandeur as the parent website. Daily Clay had a strong potential to be a useful tool integrating mobile ability and social media with the Ceramics Arts Daily website.

Increasingly, I find Instagram connecting potters with their audience and consumers. Instagram is a mobile-only network which means you create and publish from the mobile app only. You can view and  a picture from a laptop or desktop but that is it. Instagram has gone to great lengths to offer the user high quality resolution ensuring the visual of ceramics pictures and videos are inviting. Instagram offers “filters, special effects, and editing tools” (daCunha, 2015). If you download InstaCollage, an app that compliments Instagram with special effect, layouts, and borders, you can create eye captivating pictures instantly as seen here:

spinart

It also offers easy “sharing to Facebook, Twitter, Tumblr, Flickr and Foursquare” (Hemley, 2013). This allows a ceramic business owner to expand his or her audience in vast numbers from one mobile social media application.

The Instagram platform used hashtags from its first inception, known as the symbol”#”, to expound on the content of pictures and videos posted (Gonzalez, 2012). It is best for a potter to hashtag their pictures to identify the place it was taken, subject, and description. Some popular ceramic hashtags are #ceramics, #potter, #throwing, #stoneware, and #loveclay. #clay is the most tagged at 1,172,085 posts. If a potter was looking for inspiration from other fellow potters, they could search #cone6, a type of glazing firing range, and find 4,382 posts. If they wanted to find a ceramic supply brand from a picture posted and  with a hashtag such as Amaco, they can use the spyglass on the bottom of the app. Once they find AmacoBrent, one of the largest ceramic supply company’s, they can click the name AmacoBrent which brings them to AmacoBrent’s Instagramer page.  The potter can start following AmacoBrent as well as view pictures they have posted. On AmacoBrents Instagram page they cleverly posted their website www.amaco.com drawing the viewer to their shopping cart website as seen here:

amacobrentinstagram

Instagram helps businesses like a small ceramic studio like Extrudergirl or a large company like AmacoBrent. Gerry Moran suggests building a strong profile on Instagram as noted in detail below (Moran, 2013):

Perfect-Instagram-Profile1

A well-developed profile becomes the foundation for Instagram as social media strategy. Posting pictures of handcrafted ceramic pieces or products a ceramic supply business is selling to potter allows the business to cultivate a following not just through Instagram but with the cross posting capability to Facebook, Twitter, Tumblr, Flickr, and Foursquare. As a ceramic business builds their brand awareness, they can start following back their new audience. As posted pictures become visual commentaries with hashtags, a potter can create a theme or capitalize on current trends to complement his or her brand and increase credibility. They can engage viewers and consumers with consistent images and by leaving comments on follower’s postings. Developing a posting schedule will entice followers and inspire potential consumers. Over posting could cause followers to abandon your business. It is best to analyze how many posts, the kind of pictures, hashtags followers are relating to, and comments consumers are leaving. Iconosquare is a free tool to measure your Instagram success. It will give you a snap shot of the percentage of followers, lost followers, follow growth, likes, comments, and overall engagement (Lawrence, 2014).

spongeholder2

Instagram is a visual experience for your followers, consumers, and perspective fans to learn, like, and buy into your business brand. Instagram will help promote your business, build a community around your photographed work and hashtags, generate leads and encourage conversation with your audience and consumers. I like to think, that with my Extrudergirl shop, once I get attention from my customers with a sponge holder photo on Instagram, I soak up my ceramic rewards.

Resources:

Ceramic Arts Daily Home Page (n.d.). Ceramics Arts Daily. The American Ceramic Society. Retrieved from: http://ceramicartsdaily.org/

daCunha, M. (2015) 10 Instagram Marketing Tips to Make People Love Your Brand. Business 2 Community. Retrieved from: http://www.business2community.com/instagram/10-instagram-marketing-tips-make-people-love-brand-01115446

Gonzalez, P. (2012). How to Use Hash Tags on Instagram. Instagramers. Retrieved from: http://instagramers.com/destacados/how-to-use-hash-tags-on-instagram/

Hemley, D. (2013). 26 Mobile Apps to Improve Your Business and Networking. Social Media Examiner. Retrieved from: http://www.socialmediaexaminer.com/26-mobile-apps-to-improve-your-business-and-networking/

Lawrence, T.(2014). Instagram Analytics Website Review ~ Iconosquare.com (Statigram). Tyler Lawrence. Retrieved from: http://tylerlawrence.com/instagram-analytics-website-review-iconosquare-statigram/

Moran, G. (2013). How to Build the Perfect Instagram Profile Infographic. MarketingThink. Retrieved from: http://marketingthink.com/infographic-to-build-the-perfect-instagram-profile/

Ceramics and Social Media Applications

The ceramic industry includes a diverse group of potters similar to the social media landscape. Most common communication channels will consist of announcements, pictures of work or events, blogs, and videos. The traditional social media landscape comprises of Twitter and Facebook, but over the past two years there has been significant growth on Pinterest, LinkedIn, Instagram and Google+. Quite often potters will report they don’t own a computer and if they do own one they don’t have an email address, so social media escapes a large majority of the community. But for the potters involved in the social media channels, they are using these tools to show and tell their art as well as develop and discover their talent (Zimmerman, 2014).

The professional ceramicist can be found in museums, art centers and galleries noted in a recent industry poll from NCECA , known as the National Council on Education for the Ceramic Arts (Bracker, 2015). This group of potters favors Facebook and Twitter. This gives them a strong platform for promoting their website and next gallery or museum showings.

There is the production potter, who produces their ware in volume, whom will post on Facebook especially directing fans to their website.  They can often be found on forums and online communities. They are contributing to the ceramic industry evolution with discussions on clay and ceramic issues, offering advice, writing reviews of ceramic products and sharing global ceramic industry news. The production potter would be the known as the Critics on the Social Technographics Ladder (Li & Bernoff, 2011).

The studio potter is not production but more serious than a hobbyist by making a full time living selling their work. They are the Creators on the Social Technographics Ladder making the most contribution to the social media landscape. They will use Facebook, Twitter and Instagram to push the consumer to their studio. These social media networks are free and can draw a good amount of interaction. The studio potter might post a promotion on Twitter or Facebook giving away a new ceramic mug like Joel of Cherrico Pottery to engage and invite the consumer to “Like” their page, build their brand, and follow their studio (Birkholz, 2015). The studio potter can be found on YouTube demonstrating, teaching and engaging other potters, artistic students, and viewers such as Master Potter Bill Van Gilder.

The hobby potter or leisure clay artist, one who works with clay for enjoyment, occasionally sells their work on a smaller scale like Etsy or local event. They can be found on Pinterest pinning works of the professional or average potters. Since they are not as involved on social media for promotion of their goods, they would be considered the joiners or spectators of the Social Technographics Ladder. As joiners they are interested in visiting the social networks for inspiration, Facebook pages of ceramic vendors like Stone Leaf Pottery to learn about products, and following their favorite ceramic groups like Amaco’s Potters Choice Exchange for tips and techniques (Sophia, 2015). As a spectator they are more likely to be involved in watching videos of ceramic demonstrations, read blogs from the studio potters, and being influenced by reviews by the professional ceramicist or average potters.

clay-social-media-icons

Social Media networks offer potters a vast level of publicity, the widening of consumer target market, and a growth in social interaction for and among the ceramic professionals, studio potters and leisure clay artists. By expanding their social media landscape from the more traditional sites such as Twitter and Facebook, they can amplify their exposure with Instagram and Google+. Not only do social media networks increase the potter’s audience, it offers the building of ceramic communities. Potter Adam Field used Instagram effectively to pull in consumers and widen his audience by creating a scavenger hunt involving ceramic objects. The idea behind the scavenger hunt was “to create a groundswell of community that would encourage sharing information, techniques, and inspiration”  (Johnson, 2014). As more potters become comfortable with the new form of marketing, social media can help them get their name and products out there at a very minimal cost.

Resources:

Birkholz, J. (2015). Cosmic Mug Giveaway, Laughing Squid Feature, And Mainstream Art Ambitions. Cherrico Pottery. Retrieved from: http://www.cherricopottery.com/category/social-media/

Bracker, C. (2015). Who Are We? NCECA. Retrieved from: http://blog.nceca.net/inside-nceca-vol-i-issue-13

Johnson, G. (2014). Hide-N-Seekah!Using Social Medial for a Pottery Scavenger Hunt. Ceramics Arts Daily. Retrieved from: http://ceramicartsdaily.org/ceramic-art-and-artists/ceramic-artists/hide-n-seekah-using-social-media-for-a-pottery-scavenger-hunt/

Li, C.  & Bernoff, J. (2011). Groundswell. Boston: Harvard Business School Publishing.

Social Media Page. (2015). Facebook’s Potters Choice Exchange. Stone Leaf Pottery. Retrieved from: http://stoneleafpottery.com/category/social-media/

Zimmerman, C. (2014). How Artists Can Use Social Media to Discover and Promote Their Voice. Huffington Post. Retrieved from: http://www.huffingtonpost.com/carlota-zimmerman/how-artists-can-use-socia_b_4756824.html

Getting Dirty With Social Media Tools

Getting Dirty With Social Media Tools

I spend eight hours a day five days a week talking ceramics. After work, I come home and walk in the countryside of Florida a mile and a half with my toy fox terrier, Puppup. As eight o’clock rolls around, I crack open the laptop and start my Master’s Program term homework. On the weekends during the day, when my hands are not covered in moist clay, I might be packing up an order, designing new plates, or blending glazes to provoke that exclamation “Wow!” from the next group of wedding registry millennials on Etsy.

On nights that are raining and we are not walking, I am select Etsy shops for my next Treasury on Etsy. This shopping gallery of 16 featured Etsy stores pulls in viewers, favorites, and orders to my Etsy shop Extrudergirl. Once the Treasury is designed, I post a link to it on social media networks like Twitter, Facebook and Pinterest. At the end of the month, I run a traffic source report to see which social media network is working for me as seen below*:

trafficsourceetsy

* (Etsy, 2015)

In trying to expand my marketing for Extrudergirl, I have started delve into Twitter, Instagram and Google+. Trying to maintain the different social media networks is time consuming even when I am not balancing work, home, a small business and school.  A month ago, I was introduced to a free social media management site called Hootsuite.  This program allows me to schedule my posts to a variety of social media networks. I can check daily, weekly and monthly scheduled posts making appropriate adjustments with one click.  I have new insight to my posts, followers and content with Twitter, Google Analytics and Ow.ly.  The reports created helped me make better decisions on content I was posting based on what my followers have been responding to (Hootsuite). The dashboard gives me a quick snap shot of my Twitter account when @Extrudergirl has been mentioned in a post, or I have been retweeted or liked as well as any current activity of those I am following.

A few days after Hootsuite, I came upon Klout. The Klout is tool that measures your presence on the social media landscape. When I first signed on my Klout score was an 18.94. I was disappointed. I had read that the average score is 40 and wanted to know how to achieve such notary (Klout, 2013). After following some very simple instructions on post content, time and volume, my Klout score increased within days. I held a new steady score of 48. Combining the results of Klout with Hootsuite helped me to decide to use Facebook for my personal use only and not my Extrudergirl ceramic business.

Using Hootsuite and Klout as my new social media tools for posting to my Twitter and Google+ account, I thought about an article I read by Cindy King where she talked about Social Mention (King, 2011) which tracks “and measures what people are saying about your company” (socialmention). This search reports specific keywords related to your company or products. This unique tool will help me be more conscious of words I wanted related to my Etsy store Extrudergirl when people do searches. I did a search of Extrudergirl. My name was linked to my blog, Extrudergirl, and the word ceramic as seen below.

socialmention

                This result was startling. I am new to the Hashtag world. Almost everyone has seen and a good handful of you have used the pound sign (#) with a word after it. I thought I would at least have something linked to #extrudergirl since I have been using that to tag pictures on Instagram, Twitter, and Facebook. In an article I recently read by Cindy King, she recommended Tagbound (King C. , 2015). Tagboard lets you see what is being said related to your hashtag across the social media landscape. I am hoping in the next three months as I expand my Twitter usage and remain consistent with blogging, that the hashtags will be measurable.

My Extrudergirl social media goal over the next three months is to increase my Klout Twitter Score, adding posts to my Google+, and use hashtags and keywords to drive followers, fans and buyers to Extrudergirl. As my blogging grows and tweeting content improves, I am hoping to increase my retweets, tweet likes and Google+1 volume as well. For now, I am heading back to the studio to get dirty.

Resources:

Extrudergirl Stats (2015). Shop Stats 2009-2015 Traffic Source. Etsy. Retrieved from: https://www.etsy.com/your/shops/Extrudergirl/stats?ref=seller_platform_hdr

Hootsuite Platform (n.d.). Everything You Need In One Place. Hoostsuite. Retrieved from: https://hootsuite.com/products/platform

Keath, J. (2015) Ultimate Recap: Top New Social Media Tools for 2014. Socialfresh. Retrieved from: http://www.socialfresh.com/ultimate-recap-top-new-social-media-tools-of-2014/

King, C. (2011). 12 Social Media Tools Recommended by the Pros. Social Media Examiner. Retrieved from: http://www.socialmediaexaminer.com/12-social-media-tools-recommended-by-the-pros/

King. C, (2015). 44 Social Media Tools Recommended By The Pros. Social Media Examiner. Retrieved from: http://www.socialmediaexaminer.com/44-social-media-tools-recommended-pros/

Measure (2015). Mesaure Page Extrudergirl Account. Klout. Retrieved from: https://klout.com/#/measure

The Klout Score (2013). What is the Average Klout Score? Klout. Retreived from: http://support.klout.com/customer/portal/articles/679109-what-is-the-average-klout-score-